Wortham Manor

Staying here is an unrivalled opportunity to experience the life of a prosperous Tudor noble.

Experience the Tudor life

This is a medieval and Tudor house of the highest status. The outstanding joinery of its arch-braced and moulded ceilings and screens is of a quality to rival the more famous Cotehele. Wortham Manor was built and then remodelled by a junior branch of the great Devon family of Dinham, but little altered since.

The great hall and magnificent chamber above it are probably the work of John Dinham, constructed soon after 1500. Dinham was the cousin of Dame Thomasine of Week St Mary and oversaw the building work at The College, also in Landmark’s care. Like Dame Thomasine, John Dinham had lived and prospered in London. In 1533, when an old man, he was pressed to take a knighthood, but declined.

The perfect setting for a large gathering

Wortham Manor sits in rolling, rural surroundings and has its own large grounds. The great hall with its open fire is a perfect setting for large gatherings, as is the sitting room in the great chamber above with soaring roof timbers and a woodstove . A large farmhouse-style kitchen awaits for breakfast or coffee time. The rambling, atmospheric bedrooms and landings also swallow large parties with ease.

Wortham was finally ‘discovered’ by the architect Philip Tilden in 1943, who became its owner a few years later. He described in his autobiography how Wortham was one of the most beautiful houses of the late 15th century that he had ever seen. He spent many months, with the help of two "most conscientious German prisoners", removing plaster ceilings to expose the exceptional carved oak ones that can be seen today.

The origins and developments of Wortham remain to this day somewhat unclear. Originally there would have been a typical medieval manor house, with an open hall at its centre and a short wing at its east end containing a solar chamber on the first floor, also with an open roof. The hall range continued to the west with the usual service rooms below the screens passage, which probably had a gallery above providing access to the upper storeys of the porch. The hall itself was entered through the fine north porch with its decorative carving dated to about 1450.

A second phase of remodelling and modernisation then took place probably in the first quarter of the 16th century. The major alteration was the insertion of a floor into the open hall to create an upper and lower hall. The upper hall was reached by a new newel stair in a turret added onto the back or south wall of the hall. West of the hall, the former service rooms were turned into a parlour with a new ceiling similar in detail to that in the hall. Thereafter there were only minor alterations such as the addition of the panelling and fireplace in the parlour around 1600 and the creation of a farmhouse kitchen in the room to the east of the hall, probably after 1750, together with new ceilings which were to hide the early carpentry for the next two centuries.

This simple account is open to debate and others have argued that the central part of Wortham was in fact rebuilt in one complete phase soon after 1500 in its existing form. In a very traditional area, this would have been an advanced form of planning perhaps brought about by the family responsible, the Dinhams, who had business and family contacts in London and the south east where such ideas were more commonplace by this date.

Originally the house had crenellations on top of the hall wall to distinguish this important centre of the house from the rest. The porch, with its panel or tympanum carved in the intractable local granite by local craftsmen, was clearly intended to be decorative and to herald something grand beyond. The College at Week St Mary, also owned by the Landmark Trust, had a nearly identical outer door reliably dated to 1506.

The south front presents a less unified appearance. The walls are of different stone and of less high quality, revealing evidence of the manor house that must have existed here for at least a century before the early 16th century. The windows are a mixture dating from the 15th to the 17th centuries.

The building has had three incarnations in since in Landmark’s care. As originally repaired in the early 1970s, the house was converted into three flats – one for Miss Burgess and two for others to rent. A condition of receiving grant aid was that the main rooms – the old kitchen, hall and great chamber above - were occasionally open to the public and so it was resolved to leave them as public spaces for use by all three flats, rather as in the Tudor period when they provided communal space for a household whose members would withdraw to separate apartments or lodgings at other times.

South of the old kitchen had been a dairy, already converted by the Burgesses into a sitting room. Beyond that was the cider house, still with its press, and this was converted to provide a kitchen, bedroom and bathroom. To create a new kitchen for the flat on the first floor of the east wing, the loft over the cider house was built up to full height and given a new roof with a hipped gable and three new windows looking south.

The third flat was formed to the west of the hall. A kitchen was fitted into the closet next to the parlour instead of into a derelict addition still further west, which was constructed of cob and collapsed after heavy rains. The great chamber closet was included in this flat as its third bedroom, together with the bathroom that already existed in the porch.

Other major work included returning the roofs to their original form and appearance as most of the timber needed renewal anyway. A new stone chimney stack was built for the fireplace in Miss Burgess’s sitting room. Others were given stone rather than brick tops, and the chimneys of the main range were given new granite caps based on those shown in a drawing dated 1716. The stone all came from field walls being demolished by the Highways Department and the new slates came from the Delabole quarry in North Cornwall.

Structural repairs were carried out including underpinning of the walls. Woodworm, dry rot and death watch beetle all had to be tackled. Damp proof membranes were installed along with underfloor heating to provide a gentle background heat without the danger of drying out the timbers. Trusses, windbraces, lintels, joist and beams all had to be checked and their ends repaired or strengthened as necessary.

Wortham emerged from its cocoon of scaffolding in 1974 and sadly, Miss Burgess died the following year. So for the next 15 years, Wortham was let by Landmark as three flats. But the main rooms, seldom visited by the public, became rather sad and empty places, and noise travelled between the flats. So in 1990 it was decided to reunite the house as one. This was easy to do, with the old farmhouse kitchen taking on once again its former role.

Major improvements in 2024

In 2002, the 1970s underfloor heating system was upgraded with a sustainable air source heat system but by the 2020s, this was struggling, it output inadequate. The building was draughty and falling behind modern expectations of comfort. In 2024, a programme of major improvements was carried out: floorboards and flagstones were lifted and the underfloor heating and hot water provision replaced by ground source heating. The draughtproofing was improved, bathrooms were upgraded, bedroom provision re-jigged more satisfactorily and the great chamber on the first floor, formerly appreciated only by those who had it as their bedroom, became instead a magnificent sitting room for all to enjoy.

Wortham has always been loved as a Landmark: its spirit is still true but now it is even better, recreating the self-contained life of a small but rich manor house of the Tudor period for all to enjoy, but now with 21st-century standards of comfort.