The Birdhouse was designed in 1783 by the architect James Wyatt in a spectacular natural setting that could serve to define the Picturesque movement. Today, it is a romantic hideaway for two.

The Chapel is a tiny grey granite building in the rural hamlet of Lettaford, a settlement on the edge of Dartmoor that has been lived in since at least 1300.

This very clever scale model of a French chateau sits on a hill above the River Trent in the middle of the Lincolnshire countryside.

Listed Grade II*, the dairy was conceived to represent a tiny Italianate chapel topped with a bell tower, and with four corner pavilions.

Houghton West Lodge is one of four houses that guard the approaches to Houghton Hall,  one of England’s finest Palladian houses and once home to Britain's first Prime Minister.

A fine, two-storey Jacobean porch salvaged from a great house once beloved of the poet and playwright John Dryden but now lost.

We think the Music Room was built in around 1730 as a garden pavilion. The streets of Lancaster grew around it. The Baroque interior alone took 6,000 hours of craft skills to repair.

The tower was built as a folly in 1821 with a pretty sitting room on the first floor. The third floor was added in 1943 by the Germans as an observation point, with views in every direction.

A clock tower overlooking the Exe estuary, ‘like a sleek racing yacht turned through 90 degrees and planted in the beach.’

The Pigsty’s classical design was supposedly inspired by Squire Barry’s travels around the Mediterranean in the 1880s and offers striking views of Robin Hood’s Bay.

The Summerhouse stands in beautiful woodland on the Shuttleworth Estate. The outstandingly fine brickwork of this foursquare folly is likely to date from the early 18th century.

This beautiful little pavilion has two distinct faces and has a breath-taking panorama. Approached from the wood, this rustic cottage with a thatched roof houses an elegant interior.

A Georgian folly within an outstanding Picturesque garden, the Ruin was built in about 1766. On the edge of a steep wooded gorge, it was one of several buildings scattered across the gardens.

This tiny pavilion was a majestic grandstand for the enclosure in front. It is a mature expression in miniature of all that was best in Tudor and Jacobean architecture.

Canons Ashby is a 16th century house, hardly touched since 1710. Our Landmark is at the top of a tower, and its light and pretty rooms have views of the beautifully restored gardens.