Mansarda del Vigneto

Chosen for its beauty in the Euganean Hills

The 14th century saw the rise in popularity of countryside villa retreats amongst the wealthy Italian intelligentsia. In 1535, the architect Giovanni Maria Falconetto set about designing am elegant villa on a raised terrace. The design of the building placed emphasis on the green surroundings of the Euganean Hills and the shady flanking loggias were purpose-built to capture the stunning scenery. Villa de Vescovi became more impressive as the centuries passed, with Doric and Ionic portals being added and the development of grounds and gardens.

One of two stunning Landmark properties at Villa dei Vescovi 

One of two Landmark apartments on this site, Mansarda del Vigneto is part of the bigger Villa dei Vescovi. Passed onto the Fondo Ambiente Italiano (FAI, the Italian Heritage Trust) in 2005, extensive archaeological work was carried out before the building was carefully restored so it could be opened up to the public. The views from the Landmark and the beauty of the building have to be seen to be believed. The air-conditioned apartment sleeps 4 and is reached via a modern spiral staircase from the main villa up to the mansard floor beneath the roof. Guests who stay here are spoilt for choice: one can simply relax into the rich history of the building, the natural beauty of the surroundings or perhaps even venture out to the local towns or cities.  The capital of the region, Padua, is nearby and those willing to make a longer trip will find Venice about an hour's drive away.

See our other Landmark at Villa dei Vescovi

Cardinal Francesco Pisani, Bishop of Padua

In 1524, Francesco Pisani was appointed Bishop of Padua, where he initiated the construction of many fine buildings. He also decided to develop an earlier episcopal residence outside the city, here at Luvigliano, as a villa. Luvigliano was named after Roman historian Livy, who also chose the place for his own villa. Livy and Francesco could not have chosen a more beautiful spot, a natural amphitheatre surrounded by the green, conical, ancient volcanic Euganean Hills with views far across the landscape.

The circle of Alvise Cornaro

Bishop Francesco Pisani was at the heart of the circle of important cultural patron, Alvise Cornaro. Cornaro was a generous and sentient sponsor, who nurtured the talents of many, including, from about 1538, a young stonemason born in Padua whom he nicknamed Palladio. Another protégé was architect Giovanni Falconetto.

Designed by Giovanni Falconetto

In 1535, Falconetto designed an elegant square villa on a raised terrace, with shady flanking loggias to make the most of the views out across the countryside. Architect Giulio Romano completed this first phase and Flemish artist Lambert Sustris covered its walls with frescoes (which mostly survive), a hugely important early survival of the Renaissance cult of the ancient world. The building as a whole similarly epitomises the mature Renaissance villa form, built just before Palladio put his characteristic stamp upon the genre. As such, Villa dei Vescovi (or Villa of the Bishops) is an important counterpoint in Landmark’s portfolio to our own Palladio villa, Villa Saraceno, which lies just 15km to the west of Villa dei Vescovi.

Made still more magnificent

Villa dei Vescovi became ever more imposing under successive bishops through the 16th century. Architect Andrea da Valle added stately Doric and Ionic portals as entrances though the estate’s containing walls, and later Vicenzo Scamozzi added external stairs and a grotto. Through the 18th century, beautiful gardens and grounds were developed.

A generous gift to the Italian nation

Villa dei Vescovi remained under the episcopate, largely unchanged, until 1962 when it was sold to Vittorio Olcese. After his death, in 2005 his second wife Maria Teresa Olcese Valoti and son Pierpaolo generously donated the villa to the Fondo Ambiente Italiano (FAI, the equivalent of the National Trust in Italy). FAI carried out an exemplary archaeological investigation of the site and completed the restoration before opening the main villa to day visitors. They also created two holiday apartments on the top floor, tucked under the eaves, which Landmark has furnished. Through our partnership, these are now offered as the first Landmarks in what we hope will be a long and fruitful partnership.

Restoration of the frescoes

More than three years was spent conserving the frescoes by Lambert Sustris in the villa’s principal rooms, which are a particular glory of the villa. By removing the dust and candle smoke of centuries, the extraordinary use of colour and the detailed brushstrokes of this skilled master were revealed. Missing portions of the frescoes (the result of earlier structural modifications or repairs in inappropriate materials) were filled with neutral tones, so restoring a sense of unity to the cycle.

‘Uno palazzo de prencipe’

Private chambers and studioli, typical features in such 16th-century villas, were reinstated and the furniture in the principal rooms was also restored and placed according to the original functions of rooms, to present this ‘palace fit for a prince’. Staying in your eyrie above, you will have free access to these marvellous spaces during opening hours. After the visitors have gone, it will be a truly special experience to sit on the wide west loggia, and watch the sun sink in a landscape little changed since Francesco Pisani and Alvise Cornaro and their friends did the same.